Up a narrow stairwell in SoHo, past a black metal door and into a clean white loft, Ferg is doing something he hasn't done in a long time: slowing down. The space is bare. No crew, no clutter, no chairs. Just two rooms. One for painting, one for music. It's quiet, focused, built entirely for the work.We got the first look inside as he prepared CHOSEN, his debut solo exhibition. The title says a lot. There was no gallery hand-holding this one, no splashy art-world PR campaign. Though, Ferg worked...
Up a narrow stairwell in SoHo, past a black metal door and into a clean white loft, Ferg is doing something he hasn't done in a long time: slowing down. The space is bare. No crew, no clutter, no chairs. Just two rooms. One for painting, one for music. It's quiet, focused, built entirely for the work.We got the first look inside as he prepared CHOSEN, his debut solo exhibition. The title says a lot. There was no gallery hand-holding this one, no splashy art-world PR campaign. Though, Ferg worked...
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